此作品集輯錄了十位本地藝術家由1984至1995年的錄像作品，紀錄了香港錄像創作人在過去英國統治下的不同創作風格，並反映殖民時期的混雜文化身份。

1983年中英聯合聲明簽訂後，很多香港錄像創作人的作品開始以思索自身未來及尋找文化身份為創作基礎，以下作品反映了在處理這個重要的社會歷史議題時，一種既戲謔又間接的手法。

This video compilation presents works made between 1984-1995, documents the various styles in video making in Hong Kong under British rule and reflects its post-colonial cultural identity.

In 1983, after the signing of the Sino-British Joint Declaration, much of the work in Hong Kong is based on the search for a cultural identity and the unique hybrid of east and west. The works presented here reflect a witty and oblique approach in treating such an important social and historical issue.

Danny Yung is a founding member and co-artistic director of Zuni Icosahedron, a highly esteemed experimental theater in Hong Kong. Over the past 40 years, after having graduated from the University of California at Berkeley in architecture and from Columbia University in urban design, Yung has been deeply involved in diverse artistic fields, including theatre, cartoon, film, video, and visual and installation art.
Yung is the recipient of the following prizes and awards: the Hong Kong Arts Development Award 2015 for Artist of the Year (Drama); The Fukuoka Prize – Arts and Culture Prize (2014); The Cross of the Order of Merit of the Federal Republic of Germany in recognition of Yung’s contributions towards the arts and the cultural exchange between Germany and Hong Kong (2009); The Music Theatre NOW Award presented by the UNESCO’s International Theatre Institute for his theater work “Tears of Barren Hill”.

MO Man-yu was born in 1960 in Hong Kong. He works predominantly in film and video but is also passionate about the performing arts, installation, photography and writing. Some of his signature themes include conceptualized bodily movements, surrealistic images, animation and time lapse. Mo graduated from the Design Department of the Hong Kong Polytechnic University. A co-founder of Videotage, and a member of Modern Films Production and Zuni Icosahedron, Mo’s experimental short films have won prizes in the Hong Kong Independent Short Film Festival and the Bruxelles International Film Festival. He has also conducted a touring show of his works that were produced by Modern Films Production in Europe and America. Mo’s film projects have been commissioned by the Goethe Institute in collaboration with the Hong Kong Baptist University. He is also an Alumni of the Asian Cultural Council Fellowship grant for US cultural exchange activity. He was commissioned by the Hong Kong Arts Festival for a video installation and performance piece, and was invited to participate in an artist-in-residency program curated by Yellow Springs Institute, Pennsylvannia, USA alongside Danny Yung from Zuni Icosahedron. Mo’s installation artworks have been exhibited at the Hong Kong Museum of Art and the Asian American Arts Center in New York. His graphic art, poetic writings and reviews on art events and movies have been published by various local newspapers and magazines. Mo currently lives in Holland where he is pursuing an advance meditation program.

KWAN Pun-leung, a Hong Kong visual media veteran, is Technical Art graduate of the Hong Kong Academy for Performing Arts and sociology graduate of the Lingnan University, Hong Kong. He began his career as a photographer in culture magazines and independent music scene. In 1994, Kwan was committed by the 1st International Arts Festival Brussels to produce a photo-reportage about Hong Kong. In the same year, he was awarded the Afga 94 Young Photographer5 Award. He made his motion picture debut in 1997, as director of photography on the acclaimed Asian director Stanley Kwan’s Hold you Tight. The film was awarded the Afred Bauer Prize at the 48th Berlin International Film Festival. Kwan was also the director of photography on Stanley Kwan’s The Island Tales, Ip Kam-hung’s Lavender, Ann Hui’s July Rhapsody, Wong Kar-wai’s film In the Mood For Love, and the National Geographic documentary Two Way Tea Journey. Kwan also co-directed with Amos Lee Bueno’s Aires Zero Degree: The making of Wong Kar-wai’s Happy Together. In 2001, he became the Senior Lecturer in Cinematography of the Hong Kong Academy for Performing Arts.