This compilation revolves around urban space. The selection offers a wide sample of artists’ negotiation of the space which surrounds us; from hyper-architecture to spatio-temporal dislocations to the cinematic spectacle and back.

本作品集是環繞城市空間的作品，收錄了一系列藝術家對他們所身處的環境之表達。從超密度的建築到時空錯置以至影像的光影，互相對疊的空間製造出另一種對周圍環境的看法。

CHAN Chui-hing, Nose was born in Hong Kong and graduated from The University of Hong Kong with a degree in Biology.
He began making video art in 1998, and regularly screens his work locally and aboard. In 2000, he won the Distinguished Award in The 6th Hong Kong Independent Short Film and Video Award with his piece, Well. In 2003, he participated in the 1st Berlinale Talent Campus in The Berlin International film Festival. Chan also participates in independent film productions.

LEUNG Chi-wo was born in Hong Kong. He graduated with a MFA from the Chinese University of Hong Kong in 1997 after studying photography study in l’Istituto per lo Sviluppo Socio-Economico dello Spilimberghese in Italy and an internship in the Museum van Hedendaagse Kunst in Ghent, Belgium. He has done a few exhibitions in Hong Kong, New York, Melbourne, Tokyo, Oslo, Vienna, Hamburg and Toronto, etc. Awards received include the Asian Cultural Council Fellowship (1997) and Urban Council Award of the Contemporary Hong Kong Art Biennial (1996). In 2000, he has held a solo exhibition in the Queens Museum of Art, New York. In 2001, his site-specific project was exhibited in the Hong Kong Pavilion in the Venice Biennale.

Dorotea Etzler (English name Doreen) is a conceptual artist based in Berlin, Germany. As VJane lazyliu she interacts with the smart phone to create artistic imagery. Her work investigates the media by means of glitch art and visual noise. Her background is in architecture and video. From 1998 to 2000 she lived in Hong Kong and became part of the Oil Street Artist Village.

Art Jones is an image/sound manipulator working with film, digital video, audio and hybrid media. His films/videos, CD-ROMs, live audio/video mixes, and installations concern the inter-relationships between music, visual culture, history and power. His work makes extensive use of popular music and mainstream media as raw material to be sampled and re-combined in order to examine implicit meanings or suggest new ones. He has collaborated with musicians and artists including Soundlab, DJ Spooky That Subliminal Kid, Phillip Virus with Alec Empire, Teleseen, Amiri Baraka, Femmes with Fatal Breaks, and Anti-Pop Consortium. He lives and works in New York City.

Ellen Pau, born in Hong Kong, began her art career while studying radiography at Hong Kong Polytechnic University, creating her first experimental super-8 film, The Glove. She co-founded Videotage in 1986 and received the Asia Cultural Council Fellowship in 1992, creating Song of the Goddess in the U.S. Her international career launched at the 1995 Gwangju Biennale, followed by exhibitions at “City on the Move”, Asia Pacific Triennial, Shanghai Biennale and Taipei Biennale. Since 1996, she has been a director at the Microwave International Media Art Festival. At the 2001 Venice Biennale, she presented Recycling Cinema. Recent exhibitions include Awakening: Art in Society in Asia 1960s–1990s (2019) at the National Gallery Singapore, What About Home Affairs (2019) at Para-site and Shape of Light at M+ Facade (2022). Her works are held in collections of the Hong Kong Museum of Art, M+, and Griffith University. The Asia Art Archive launched her archive in 2023.

LEUNG Olive graduated from the Central St. Martin College of Art and Design, majoring in Fine Art Film and Video Art. She is now a freelance artist.