This compilation showcases works made by female video artists. From the adventures of the walking vagina in Rati by Phoebe Man to the two video works on Hong Kong’s famous Cantonese Opera duo Song of the Goddess by Ellen Pau and Suet-Sin’s Sisters by Yau Ching, this selection maps the disparate ways in which female artists address topics of gender and sexuality.

本作品集輯錄了女性錄像藝術家的作品。由文晶瑩的《慧慧》中敍述會行會走的陰唇，以至兩部紀錄了香港女同性戀者藝術家的作品鮑藹倫的《似是故人來》和游靜的《雪仙的妹妹》，刻劃了女性錄像藝術家對性取向的不同演繹方法。

May Fung created over 10 short experimental films between 1977 and 1985 and over 20 video works from1986 onwards. Later she created video installations and put video art into the theatre. Fung is also passionate about the development of visual and performing arts, and received a fellowship from the Asian Culture Council for researching video art in New Yorkin 1994. In 1999 Fung was awarded the Hong Kong Arts Development Council “Arts Development Scholarship” for video installation art. She has been an assessor or juror for various video and film festivals/exhibition in Hong Kong, and is now an examiner and advisor to the Hong Kong Arts Development Council. In addition, Fung is the chairperson of Art & Culture Outreach, a non-profit charitable arts organization.

Lo, studied Diploma in Design from the Swire School of Design, Hong Kong Polytechnic. Then on-and-off worked as full-time and part-time cultural worker and journalist – as reporter, photographer, designer and contributor for newspapers, magazines and publication in Hong Kong. Based in Beijing from 2008-2017, first as cultural feature director for Modern Media Group then freelancing for different media and projects, pop or alternative, as ‘a teleporter between hk and beijing’. Since back to our city, Lo has been involved in the ‘archaeology’ of hong kong visual art & cultural scene.

Dr. Anson Hoi-shan MAK is a moving image and sound artist. Besides single channel film/video, she also does phonography sound art and web-based projects. She is especially interested in experimental ethnography, essay film and super 8 film, as well as lens-based inter-media works. Her film/video works have been shown at various festivals, including the Yamagata International Documentary Film Festival, Busan Film Festival, Hong Kong International Film Festival, Internationale Kurzfilmtage Oberhausen, Vancouver International Film Festival, Taipei Golden Horse Film Festival, , Los Angeles Asian Pacific Film Festival, etc. Her works have also been featured at galleries such as M+, Taipei MOCA, Times Art Center Berlin，FACT Liverpool, Whitechapel Gallery London, CAFA Art Museum Beijing, CornerHouse Manchester, Crossing Art New York, White Box New York, RockBund Art Museum Shanghai, AFIAS Spain Moving Images Festival, Madrid etc

LEUNG Olive graduated from the Central St. Martin College of Art and Design, majoring in Fine Art Film and Video Art. She is now a freelance artist.

Sikay Tang was born in Hong Kong and grew up in New York. She now lives in New York and Antwerp and is a typical migrant. In her photographs and video-works she mixes her own background and traditions.After having studied studied photography and sculpture at the University of Chicago and fine arts at the Jan van Eyck Akademie in Holland, Sikay turned to film and television.

Sikay is an acclaimed editor. Highlights of her editing credits include award winning documentaries The Good Soldier (Emmy Award 2009), Beijing Taxi and Chisholm ‘72– Unbought and Unbossed (Peabody Award 2005). Her work in television includes being an editor with Bill Moyers on his weekly show, Moyers & Company, distributed by American Public Television. Previously, she produced and edited for ABC News.

She has taught classes at Temple University in in Pennsylvania and Third World Newsreel in New York.

Currently she is directing a documentary entitled Toby’s Paradise. It charts the life and the global journey of a Nigerian migrant, sailor and entrepreneur Toby Ebiember. After World War II he opened bars first in Shanghai, then Hong Kong and Singapore. He would be one of the first Africans to own a business in Shanghai and the last “Western” bar to close in China in 1956.

Connie LAM is manager of Media Centre of Hong Kong Arts Centre.

Dr. Phoebe Ching Ying Man is a conceptual artist, media sculptor and independent curator. Her most recent edible sculptures and performance Birthday Cakes (2014-15) were included in a show organized by the Institute of Contemporary Arts in London and were also invited to show at the Center on Contemporary Art, Seattle. Her installation Erosion of Home (2015) has been invited to show in an exhibition curated by the Hong Kong Museum of Art and will be exhibited at the Museum of Contemporary Art Taipei. Her works have been shown at over a hundred exhibitions and festivals internationally, including the Venice Biennale, Shanghai Biennale, Gwangju Biennale, European Media Art Festival, Videobrasil International Electronic Art Festival, Impakt Festival, International Video & Multimedia Art Festival: Videoformes, etc. She has received awards from the Hong Kong Independent Short Film & Video Awards, Asian Cultural Council, Hong Kong Museum of Art and Philippe Charriol Foundation. Marie Claire magazine has selected her as one of the ten “Smart Women of the 21st Century”.
Man’s works are mostly self-exploration, challenging ideologies and institutions. The sanitary napkin flowers series installations and video work Rati have received popular recognition. She was the co-founder and board member of Para/Site Art Space and is the director of Asian Experimental Video Festival in Hong Kong.