A haunting allegory of reality, metaphysics and cinema, the work transcends the sociological, theoretical or formal conventions of cinematic practice with specific challenges to the uni-directional participation of viewing and linearity. The work plays with the constructions of narrative and the act of viewing. Exhibited in the Hong Kong-China participation in the 49^th Venice Biennale.

在跟隨鏡頭望望望的同時，來打破慣常觀望/觀賞的方式。