Cross-listing: D-Normal/V-Essay Artworks List, 資料庫鏈接：平地數碼作品列表 - HUA Xi Zi Cecilia, 滑惜子 / TSUI Hou Lam, 徐皓霖 / ZHOU Yinglin, 周瑩林 / WONG Beatrice, 黃雪綾 / ZHENG Tianyi, 鄭天依 / WONG Pak Hang, 黄百亨 / CHAN Ka Kiu, 陳嘉翹 / LI Kwan Q / NGAI Tsz Kwan, 魏芷軍

Cross-listing: D-Normal/V-Essay Artworks List資料庫鏈接：平地數碼作品列表

NGAI Tsz Kwan魏芷軍

duration /

Video Content 錄像目錄

Video Zine #1 – Ocular Oracular
錄像雜誌第一期 – 聲影甲骨文

Best Work 最佳作品

Virtual Presence 虛擬的存在

Performing Consciousness 展演的「我」現在進行式

Hong Kong 我城香港

News from around the world 各地來鴻

Tentacular Thinking 多觸思考

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #3 – The Ultra-Realist, The Extra-Ordinary
錄像雜誌第三期 – 非凡超（極）真實

Best Work 最佳作品

Look for the Signs 聽風。望月。超聲波。

Grand narratives, Minor /Local Histories 大敘事微焦點

A Pocketful of Rye: Ficto-Documentaries 虛實無縫

One, Two, Buckle My Shoe 點蟲蟲，蟲蟲飛

L’automatique: hickory dickory dock 自動波：滴答滴答滴答滴

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #3 – Presencing… Becoming
錄像雜誌第三期 – 就在此瞬間

Best Work 最佳作品

Artistic Truths, Constructed Truths 藝術的真相程序

It could have been … 假如你當時在那裡走過 …

Dwelling in time Moving through space 處於時域，動破空間。

Heterotopias 異域：層疊時空

Detournement / Diversions 繞導遊

Conjectural Desiring 無證據拋物（線）

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #4 – Voices from the Atmosphere
錄像雜誌第四期 – 大氣中融融細語

Quarantine: Close Generative Systems 隔離：向內衍生的系統

The Inside is Outside, and Vice Versa… 外眺、仰望

Self-persuasion 自我勸解

Spit it Out 不吐不快

To Love, to Be… 愛，存在 …

Remembrance is Not Nostalgia 憶記不同於懷舊

Open Space: Magic is Around Us 天大地大: 魔法就在身邊

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #5 – {SET} #1 Assemblage + Spatial Pressure Calibration
錄像雜誌第五期 – {集}1 聚疊＋空間壓力測試

Events 活動

Wong Chun-hoi (solo): Hardworking Burning Electricity – Wong Chun Hoi solo 《勤力費電 – 王鎮海不求人展》 (Jan 2016): playing with electricity circuits to move everyday objects with a Spatial Pressure Calibration event
Wong Fuk-kuen (solo): Present Continuous – Wong Fuk Kuen solo 《現在進行 – 黃福權個人展覽》 (Aug 2016)
Taipei Assemblage: 句點藝術群體＠類聚集 ensemble (非常廟藝文空間 VT Artsalon, Taipei, June 2017)
Linda Lai (producer) + FPC: performance Object-Subjectivities《重塑：東西遊戲》(at “No Reference 「沒有先例」, June 2016, Cattle Depot): physicalization of “algorithm” using Conway’s Game of Live for a semi-improvized performance to explore collaborative co-individuation. Though largely improvised on stage, it follows a structure with thematic progression.
1st SKM (Shek Kip Mei) Assemblage 《石硤尾聚疊》, 2018.09.23, JCCAC, produced by Wong Fuk-kuen

Timeline 時間線

Video Zine #6 – The Provisional Imageinary
錄像雜誌第六期 – 暫擬設證

video problematizes 為了策問的錄像行動

caméra stylo: the essaying camera 「電影筆」：滕文成章的攝錄器

a pathway towards abstraction 具象朝向抽象

Feature (1) LO Lai-lai Natalie’s concrete living 勞麗麗的實體幹活 [節錄]

Feature (2) Evi PASALTOU & team ANOMIA: the dancer’s body, the choreographic everyday 舞者的身體，穿透日常的舞動：簡介希臘實驗舞蹈藝術群體「無規範」

** Juror’s SPECIAL MENTION 評審特别表揚

videotage programme history /

2021

Cross-listing: D-Normal/V-Essay

資料庫鏈接：平地數碼

about the artist /

Hua Xi Zi works and thinks about light and the experience of seeing – in exploring the flowing life and one’s relation with outside systems. From celluloid film, analogue video signal to digital video processing, screen-based and optical projections, installed and performed, Xi Zi questions the existing methods of shadow-image production by experimenting with alternative ways to “un-expose.” It is the refusal to use representational images to explicitly represent one topic, community, or ideology. Her practice and research turned into materiality while asking questions about spectatorship and participation – seeking for the tenderness that withholds freedom and forgiveness. Hua Xi Zi received her MFA in Film, Video, New Media and Animation at the School of the Art Institute of Chicago and BA in Cinema and Media Studies at University of Southern California.

vmac archived / artworks from the artist

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

TSUI Hou Lam徐皓霖

Hou Lam Tsui (b. 1997), is an artist based in Hong Kong. Her work encompasses a wide range of mediums, including moving images, installation, sculpture, and text. Her practice centres around gender, emotions, body, and personal experiences. Drawing inspiration from pop culture, anime, and TV commercials, Tsui critically explores the tension between agency and consumer desires and rethinks how capitalism shapes the commodification of bodies.

Tsui received a BA in Fine Art and History of Art from the University of Leeds in 2018 and an MFA from the Chinese University of Hong Kong in 2024. Selected recent exhibitions include Follow the Feeling (Times Museum, 2024), One is not born a woman (Square Street Gallery, 2023), Post-Human Narratives—In the Name of Scientific Witchery (Hong Kong Museum of Medical Sciences, 2022), and Noble Rot (Para Site, Hong Kong, 2021).