Documenting the speculation and observation of the scanned, operative, and performative bodies against transparent and infrastructural aesthetics of the national leading nanotechnology laboratory, INFINITE REPLICAS delves into the immense visibility bestowed by new scientific and technological imaging tools and asks, “what is (not) to be seen?”

Developed during a residency at the MIT nanotechnology lab, this project probes the dichotomy and yet resonance between art and science by returning to one of their earlier convergences: life drawing, a canon of visual surveying that mirrors, and is constantly conditioned by evolving identity politics, new art discourses and technological advancements. The video excerpt documented a real-life incidence when a model that the artist commissioned was prohibited to pose nude for a life drawing session set at the nano lab.

Director/Editor: Kwan Q Li

Cinematographers: Kwan Q Li, Weihan Jiang, Joel Cunningham

Cast: Mari Kishi, Diana Guo, Sharon Lacey, Tobias Putrih, Meriam Soltan, Nomeda Urbonas

Thanks: Sara L Brown, Vladmir Bulovic, Samatha T. Farrell, Whitney Rochelle Hess, Sarah Hirzel, Graham Yeager, Shaowen Zhang

Coalescing lens-based media, installation, performance, and writing, Kwan Q Li’s practice examines the relations of conflict within postcolonial, technopolitical, and ecological explorations. Her work has been supported and exhibited by institutions and platforms including Videotage, Film London, Design Trust, Para Site, IdeasCity (NTU CCA and the New Museum), the Ashmolean Museum, the Venice Architecture Biennale, Ars Electronica and more, with writings featured in Thresholds (MIT Press) and AI & Society (Springer). Li holds degrees from the Ruskin School of Art, University of Oxford, where she was awarded the Stuart Morgan Prize for Art History, and from MIT’s SMACT program, where she received the Harold and Arlene Schnitzer Prize. Her photobook, Weeds, was published by MACK in Winter 2025.