This journey begins with two eyes in China. A family finds its ways to communicate across long distances. Then, the eyes are re-allocated from the sea.

Memories are drawn between shared smells, remembered restaurants, and the rhythms of traffic. Landscapes are tossed into jumbled regurgitations, as the Chinese city I recall exists in a constant cycle of deconstructed reconstructions.

The drifted eyes—guided by poetry from Chinese poet Yang Lian—accompany this open tour.

這段旅程始於國內的一雙眼睛。一個家庭在漫長距離中，尋找到彼此溝通的方式。其後，這雙眼睛從海上被重新配置。

記憶在共同的氣味、熟悉的食肆與街道的節奏之間被勾勒。風景被拋入雜亂的迴響，因為我所憶起的中國城市，總在解構與重建的循環之中。

一雙流徙的眼睛——在中國詩人楊煉的詩句引領下——伴隨這場開放後的參觀。

Kitman Yeung (b. Hong Kong) is an interdisciplinary artist based between Germany and Australia. Their work investigates systems of displacement through video essay, collage, and temporary public installations. Operating at the intersection of socio-political analysis and poetic formalism, they employ these mediums to dissect themes of migration, collective anxiety, and the dissonance between lived reality and imposed narratives. Their practice consistently questions how images, spaces, and stories are circulated and controlled, proposing forms of collective re-imagination through a research methodology informed by their background in neuroscience.

A graduate of the MFA in Public Art at the Bauhaus-Universität Weimar, they co-founded the food-art research collective groundtable. The collective is dedicated to developing collaborative public installations that bridge conceptual depth with participatory engagement.