Selected by the Videotage Media Art Collection, this collection of films explores how perceptions of mobility − both mental and physical − have shifted against the backdrop of global socio-cultural developments, from the groundbreaking inventions that defined the 20th century’s Futurism to travel restrictions brought on by the pandemic in the past three years. Whether it is drawing viewers’ attention to the changes in Hong Kong, delving into the motivations behind the act of running, or examining the role of social media in disseminating information, ‘Birds without Legs’ offers various interpretations of movements through the lens of moving images.

Co-Curators: Myra Chan, John Chow, Kyle Chung, Chung Wing Shan, Aaron Lam, Angel Leung

由20世紀的未來主義到過往三年的疫情，策展人們從錄影太奇藝術收藏庫中挑選了一系列錄像作品，以探索身體與精神的流動在全球社會景貌及文化發展的前題下如何逐漸演變。「冇腳嘅雀仔」中的作品由香港的轉變、跑步作為一種行為背後的動機，以至社交媒體發佈資訊的角色等，以流動影像多方面審視動作的各種詮釋。

聯合策展人：陳嘉欣、周皓風、鍾亦琪 、鍾詠珊、林國鑫 、梁安琦

Date: 27/5/2022 (Fri)
Time: 8:00pm- 9:30pm (HKT)
Venue: Louis Koo Cinema, Hong Kong Arts Centre

Danny Yung – Door, 1979
Mark CHAN Kam Lok – Happy Valley (waiting at T zero), 1996
Jamsen LAW – Getting Used To Run, 1997
Theodora Barat- Off Power, 2021
Chun-ling Lai – Clean up dust on body (Day two), 2018
Virtue Village – How to Migrate to a Higher Dimension, 2020
Hao Jingban – Slow Motion, 2018; Blindspot Gallery
Ellen Pau – Diversion, 1990

日期 : 27/5/2022 (五)
時間 : 8:00pm- 9:30pm (HKT)
地點：香港藝術中心古天樂電影院

榮念曾 – 《入門需知（一）》，1979
陳錦樂 – 《沒有人(在跑馬地)等沒有人》，1996
羅琛堡 – 《習慣走》，1997
Theodora Barat- Off Power，2021
黎振寧 – 《洗一天的塵》，2018
真善美村 – 《如何進行高維度移民》，2020
郝敬班- 《慢鏡頭》， 2018; 刺點畫廊
鮑藹倫 – 《兩頭唔到岸》， 1990