The video presented the situation which can see everywhere in China. On the one hand there are more and more Chinese old houses are being destroyed and international style new buildings are being established. On the other hand many new buildings have Chinese traditional elements. I used images of old and new buildings in the video and tried to create music from the outline of the buildings.

錄像素材來自兩個部分的建築影像和圖片：一部分攝自安徽傳統老建築，另一部分影像攝於西方現代都市建築。通過計算機技術將這兩部分的影像素材合成相互覆蓋、交替、對抗等拉鋸狀態，產生出一系列戲劇性的效果。從這些風格大不相同的建築輪廓中獲取信息，再將這些信息演變的音樂。影像中的紅點和黃點是樂譜的依據所在，紅、黃點沿著建築的輪廓行走，它們在五線譜上的位置便是音符。紅點沿著中國傳統建築輪廓行走，用傳統樂器演奏；黃點沿都市輪廓行走，以西洋樂器演奏。

Hu Jie Ming lives and works in Shanghai China. He makes video installation, photo ,media art works and participates in many exhibitions, such as 010101: Art In Technological Times (San Francisco Museum of Modern Art U.S.A 2001 ) ; Live In Time (Nationalglerie Im Hamburger Bahnhof Museum Fur Gegenwart-Berlin Germany 2001) ; The first Guang Zhou Triennial :Reinterpretation: A Decade of Experimental Chinese Art 1990-2000 ( Guangdong Museum of Art Guangzhou China 2002 ) ; Solo exhibitions special for interactive art works“Connected to You” ( Bizart Shanghai China 2003 ) ; Between Past and Future: New Photography and Video from China (International Center of Photography New York U.S.A 2004 ) ; “Techniques of the Visible” 5th Shanghai Biennial ( Shanghai Art Museum Shanghai China 2004 ) ; < Zooming into Focus> Chinese Contemporary photo & video exhibition ( China National Art Museum Beijing China 2005 ) ； ( P.S,1 Contemporary Art Center New York U.S.A 2006）； ( Museum at Boijmans Van Beuningen Rotterdam Netherlands 2006）; DEAF07 Interact or Die! ( V2 Institute for the Unstable Media Rotterdam Netherlands 2007 ) ; “Our Future” The Guy & Myriam Ullens Foundation Collection ( Ullens Foundation Beijing China 2008 ); “Time Lapse” (The National Art Museum of China Beijing China 2009 and traveling to Center PasquArt Biel Switzerland 2010); Speed & Chaos, Into the future of Asian Art (Bryce-Wolkowitz Gallery New York U.S.A.2010); Collectors’ Stage: Asian Contemporary Art from Private Collections (Singapore Art Museum Singapore 2011); “Reactivation” 9th Shanghai Biennale (Power Station of Art, Shanghai China 2012）; Portrait of the Times, 30 Years of Chinese Contemporary Art ( Power Station of Art Shanghai China 2013)；Thingworld, International Triennial of New Media Art (National Art Museum of China Beijing China 2014）; Myth/History ||:Shanghai Galaxy (The Yuz Museum Shanghai China 2015); Busan Biennale 2016:Hybridizing Earth, Discussing Multitude （KISWIRE Factory Busan Korea 2016）; BI_CITY BIENNALE OF URBANISM \ ARCHITECTURE (Ancient city of Nantou Shenzhen China 2017); Art in Motion: 100 Masterpieces with and through Media ( ZKM Karlsruhe Germany 2018 ) ; The Exhibition of Annual of Contemporary Art of China 2018 ( Min Sheng Art Museum Beijing China 2019 ) ; “The Return of Guests” Selections from the PSA Collection ( Power Station of Art Shanghai China 2019 ); “Harmo-Power” The First Jinan International Biennale 2020（Shandong Art Museum Jinan China 2020）; Physis: Production of Nature, Human and Technplogy 2020 Wuhan 5th Documentary Exhibition of Fine Arts（Hubei Museum of Art Wuhan China 2020）；Solo Exhibition“14 Days”(The Diplomatic Residence Compound No,12 Beijing China 2020 ); City on the Edge: Art and Shanghai at the Turn of the Millennium（ UCCA Edge Shanghai China 2021）; “Boomebang” OCAT Biennale 2021 ( OCAT Shenzhen China 2021); Symphony of All the Changes The 7th Guangzhou Triennial ( Guangdong Museum of Art Guangzhou China 2022)etc.