In The Vault of the Cloven Void, fragments of different times and places accumulate—captured sporadically, entwined with the act of navigating online satellite maps. These fragments seek to reconstruct a space-time: chaos or void, where light distinguishes day from night, the vault separates sky from earth, where places and species emerge and exist—discovered, recorded, claimed, built, demolished, plundered, scattered, and perhaps, reconstructed once more.

《歇息日後，籬笆倒塌的園》透過在不同時間地方偶爾拍下來堆積著的影像，與穿梭於網上衛星地圖的游移視角——嘗試再建構一個時空：混沌初開，以光辨別日與夜，天地分界，地方與物種誕生與存在，被發現、被記錄、被試圖佔有、被建築、被拆毀、被掠奪、飄散，然後或許再度被建構。

Wong Winsome Dumalagan’s practice revolves around videography, images, and installations, often rooted in the cultural contexts she traverses. She delves into understanding places, roots, and mobility, exploring how everyday narratives of people, nature, and objects construct knowledge, through both planned and serendipitous encounters. With videos and images she captured or collected from those she encountered, she sculpts and layers visuals, and often incorporates discarded household items, inexpensive and sometimes flawed materials, to create temporary spaces that are continuously reconfigurable, probing the boundaries of representation in both imagery and material. She is a member of the Floating Projects Collective.