As Videotage celebrates its 40th anniversary this year, we are launching an oral history series on YouTube. By interviewing various key figures and searching through our archives, we seek to map out the events that shaped Videotage’s path over the years.

For the first installment, we interviewed artist and video editor Ernest Fung. An official Videotage member in the 1990s, he shares his encounter with the artist collective, Videotage’s early collaboration with Zuni Icosahedron, and the advent of non-linear video editing with the Media 100 system.

As one of the first artists who received a HKADC grant for feature-length video production, he also explains the thought processes behind some of his signature works such as On the Road, as well as reflecting on transformations in the medium then and now.

Other installments are rolling out in the coming months. Stay tuned!

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為慶祝錄映太奇成立四十週年，我們將推出一系列口述歷史影片，第一集已上載至我們的YouTube 頻道。我們透過訪問不同年代的活躍人物，並翻查庫藏資料，勾勒出錄映太奇走過的歷程和轉捩點。

系列第一集，我們請來藝術家兼剪接師馮偉。作為 1990 年代錄映太奇的正式成員，他將與我們分享與錄映太奇的初次接觸、和進念·二十面體合作的故事，以及引入非線性影像剪接系統 Media 100 的歷程。

馮偉也是首批得到香港藝發局資助製作長片的藝術家。在本次訪問中，他剖析了諸如《上路》等經典錄像作品的創作思路，並反思當時和今天的媒介習慣。

其他人物訪問將於未來幾個月陸續登場，敬請期待！

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Produced by | 製作：Videotage 錄映太奇

Supported by | 資助：Hong Kong Arts Development Council 香港藝術發展局*

We have made every effort to trace the copyrights of all materials featured in this video. Please contact us should there be any omission.

我們已盡力追溯片中各項資料之版權。如有遺漏，請與我們聯絡。

*Videotage is financially supported by the HKADC. 錄影太奇為藝發局資助團體。

*The views and opinions expressed in this project do not represent the stand of The Hong Kong Arts Development Council. 本計劃內容並不反映香港藝術發展局意見。