Martyna Marciniak’s (PL/DE) practice bridges media theory, and legal imaginaries to trace how power inscribes itself through image regimes and visual infrastructures. Often revisiting historical events, her work engages in a form of pataforensics—poking at the tropes of scientific and forensic aesthetics, revealing their uncertainties, contradictions and lapses. Oscillating between sculpture, video and animation, she writes visual counter histories, and smuggles in other ways of seeing.

Her work has been shown by Onassis Stegi, Copenhagen Contemporary, Ars Electronica, Galerie Stadt Sindelfingen, Warsaw Biennale, LABoral Centro de Arte, among others.
She is the 2025 CERN Collide resident. Her project ‘Anatomy of Non-Fact’ received the Award of Distinction Prix Ars Electronica in 2025.
(https://www.martyna.digital/)